In Ecology without Nature: Rethinking Environmental Aesthetics, Timothy Morton challenges traditional environmentalism by proposing that person-first ecological thinking emerges when humanity moves beyond viewing nature as an external entity. Morton explores how art and literature can reshape our perception of ecological issues, encouraging individuals to integrate environmental consciousness into everyday life.

Contemplative

Informative

Mysterious

Challenging

Melancholic

Reviews & Readership

4.1

379 ratings

66%

Loved it

21%

Mixed feelings

13%

Not a fan

Review Roundup

In Ecology without Nature: Rethinking Environmental Aesthetics, Morton challenges traditional environmental aesthetics, offering a fresh perspective on ecological thought. Critics praise his innovative approach and philosophical depth, though some find his complex prose difficult. The work is acclaimed for its intellectual rigor but noted for its dense theoretical language.

Who Should Read Ecology without Nature: Rethinking Environmental Aesthetics?

A reader intrigued by postmodern perspectives on environmentalism, who enjoys philosophical critiques akin to those in The Sublime Object of Ideology by Slavoj Žižek, would appreciate Timothy Morton's Ecology without Nature. This book suits those questioning traditional ecological aesthetics and exploring new theoretical landscapes.

4.1

379 ratings

66%

Loved it

21%

Mixed feelings

13%

Not a fan

Fun Facts

Timothy Morton introduces a provocative concept called "dark ecology," which challenges the traditional notions of harmony and purity in environmental discourse by embracing the complexities and contradictions inherent in ecological awareness.

Ecology without Nature argues for the detachment from the idea of Nature as an idealized, separate entity, suggesting instead that environmental awareness involves rethinking human-centered perspectives and embracing interconnectedness.

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Timothy Morton's work engages deeply with philosophical, literary, and cultural theories, drawing connections between ecology and aesthetics, and questioning how art and literature shape our perceptions of the environment.

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Book Details

Pages

262

Format

Book • Nonfiction

Genre

•

Theme

Topic

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Publication Year

2007

Audience

Adult